Announcement

Collapse
No announcement yet.

January/February/March 2018 Calls

Collapse
X
  • Filter
  • Time
  • Show
Clear All
new posts

  • January/February/March 2018 Calls

    http://chizinepub.com/other-covenant...jewish-people/

    OTHER COVENANTS: Alternate Histories of the Jewish People

    Edited by Andrea D. Lobel and Mark Shainblum

    Historian Thomas Cahill, author of The Gifts of the Jews (Knopf, 1999) claimed that the Jews invented the very concept of history. They were the first, he said, to perceive time not as an endless circle of life, death and rebirth, but as the flight of an arrow, on a linear path to somewhere from somewhere. However, what if time is not one arrow, but a volley of arrows? What if there are other timelines, other histories, other Jews? Would they still have a covenant with the one God? What would have become of their triumphs? Their defeats? Their suffering and their successes? Award-winning author/editors Andrea D. Lobel and Mark Shainblum propose to answer this question in Other Covenants, the first-ever anthology of Jewish alternate history, to be published by ChiZine Publications in Fall 2019! SUBMISSION GUIDELINES
    • Submission window: August 28, 2017 at 12:01 AM Eastern Time to Sunday, Feb. 4, 2018, at 11:59 PM Eastern Time.
    • Open to submissions by authors of all backgrounds, from anywhere in the world.
    • Please do not submit by email. We will accept digital submissions only via the Moksha submissions system at https://chizinepub.moksha.io/publication/other-covenants.
    • Stories must be in the alternate history genre and must be clearly relevant to the theme of the anthology.
    • Length: 500–15,000 words. There are relatively few spots for stories at the high end, so please query first if you think your story will go long.
    • Preference will be given to stories previously unpublished in English, however, we will consider previously published stories on a case-by-case basis.
    • NEW: Also open to poetry submissions. Original poems on theme. No more than 2 pages (8.5 x 11) in length. (Maximum word count set arbitrarily to 2,000 words as system won’t allow max lines or pages.) No need to double-space.
    • Submissions may be made in English or French. Author is responsible for translations into English after acceptance.
    • English-language translations of stories from other languages (published or unpublished) are welcome, but we can only accept submissions in English or French.
    • Multiple submissions welcome; up to two stories maximum per author, sent under separate cover.
    • We prefer no simultaneous submissions, please (we promise to respond promptly).
    • Initial responses (rejections, holds, and rewrite requests) within 30 days of submission; final responses no later than 30 days after the deadline.
    • Payment is 8 cents per word in Canadian funds. (SFWA qualifying after exchange to US funds).
    • File formats accepted: .docx, .doc, or .rtf.
    • Formatting: indented paragraphs; italics in italics (not underlined); Canadian spelling; use # (or other unambiguous symbol) to indicate scene breaks; no headers, footers, or pagination; no outlandish formatting, please; full contact info (name, street address, email, phone number) and word count on the first page. That said, don’t fret too much about formatting; good fiction is what’s most important. (Correct spelling also counts.)
    • Please include a cover letter with a brief author bio, title of story, and full contact info, including street address.
    • Please do not summarize or describe the story in the cover letter.
    • To be published by ChiZine Publications in Fall 2019.
    • Rights: First World Rights, including audio and translation rights. (NOTE: CZP has a foreign rights agent who will be presenting the anthology in foreign markets.)
    • NOTE ON PSEUDONYMS: we will only publish one story per author, even if you write under several names; please use your real name on all correspondence and indicate your pseudonym in the cover letter and on the byline of the story itself.
    • NOTE ON SUBJECT MATTER: Any book dealing with the Jewish people, Jewish history and Israel will, by definition, be controversial. We welcome controversy and politics, but don’t forget that this is a fiction anthology. Telling good stories takes first, second and third place. Submissions that grind axes loud enough to drown out the story are unlikely to be accepted.
    • Questions or queries: othercovenants@gmail.com. Please don’t submit stories via email, as noted above.
    A WORD ABOUT THE ALTERNATE HISTORY GENRE
    Other Covenants is open to authors of every background, and for those of you who may not be familiar with alternate history, here’s a quick thumbnail sketch of the genre.
    A popular sub-genre of speculative fiction, alternative history weaves fictional narratives into the “what-if”s of the past, and explores the infinite number of historical roads not taken in the past, present or future. The Collins English Dictionary defines alternative history as “a genre of fiction in which the author speculates on how the course of history might have been altered if a particular historical event had had a different outcome.” According to Steven H. Silver, an American science fiction editor, alternate history requires three things: 1. A point of divergence from the history of our world prior to the time at which the author is writing
    2. A change that would alter history as it is known
    3. An examination of the ramifications of that change Although alternate history is related to counterfactual history, it is distinct from it. The latter term is used by historians to refer to the academic, non-literary, question “what could have happened if . . .”. Now please don’t take the above as prescriptive or proscriptive. We understand that boundaries are vague, definitions are fuzzy, and the distinction between an alternate history and a counterfactual may be entirely in the eye of the beholder. But whatever voice you write in, please keep in mind that first and foremost we are looking for stories about characters. Also, though alternate history originated as a sub-genre of science fiction and fantasy and may incorporate tropes like the many-worlds theory, parallel universes, time travel, mysticism and magic, these are not requirements. Use them if you want to, don’t use them if you don’t. The only speculative element required is the break from history as we know it, and the effect of that break on the Jewish people. THE KIND OF THEMES WE MIGHT EXPLORE: Please don’t take these as prescriptive or proscriptive either, the whole canvas of Jewish history is open to you—Biblical, historical and mythological: What if • the Holocaust had never happened?
    What if • Joseph’s brothers had not sold him into slavery in Egypt?
    What if • The State of Israel had been established in Uganda? Or Germany?
    What if • Jesus’ followers had not broken with Judaism?
    What if • The Jews had proselytized their faith door-to-door for a thousand years?
    What if • The Romans had not destroyed Jerusalem and the Second Temple?
    What if • Judaism became the dominant Western religion, but was riven by conflicts between the Temple priesthood and reformist rabbis who put the Torah and prayer before Temple ritual and sacrifice?
    What if • The Spanish Inquisition had never occurred?
    What if • Napoleon had not smashed down Europe’s ghetto walls?
    What if • The Protocols of the Elders of Zion were reality . . . in some other universe? ABOUT THE EDITORS Andrea D. Lobel has been a writer and editor for over a decade, winning two awards for her work. An ordained rabbi and university lecturer, she holds an M.A. in Religious Studies (McGill University), and a Ph.D. in Religion (Concordia University), specializing in the history of religion and science, astronomy and religion, celestial mythologies, calendars, magic, and religious authority in Judaism, as well as in the Hebrew Bible and its ancient Near Eastern context. Her book, Under a Censored Sky: Astronomy and Rabbinic Authority in the Talmud Bavli and Related Literature, is forthcoming from Brill Publishers in 2018–19. Mark Shainblum was born and raised in Montreal, where he and illustrator Gabriel Morrissette co-created the acclaimed comics series Northguard and Angloman with Gabriel Morrissette. Northguard has recently been revived by Chapterhouse Comics in Toronto. In addition to writing comics, Mark has published science fiction in various magazine and anthology markets including On Spec and Island Dreams: Montreal Writers of the Fantastic. As an editor, he co-edited Arrowdreams: An Anthology of Alternate Canadas with John Dupuis in 1998 and Superhero Universe: Tesseracts Nineteen in 2016 with Claude Lalumière. Mark shared an Aurora Award with John Dupuis in 1999 for Arrowdreams, and in 2016 he was inducted into the Joe Shuster Awards Canadian Comic Book Creator Hall of Fame. Mark and Andrea live in Ottawa with their daughter.
    With Iron And Fire - Now available at Sea Lion Press
    Alternative Truths - Now available on Amazon

  • #2
    http://otterlibris.com/open-projects...investigation/

    The Concept – MCSI: Magical Crime Scene Investigation
    Sometimes the tools that mundane detectives use to solve the crimes of the world just aren’t enough – sometimes you have to call on a little magic. We’re looking for urban fantasy stories that involve a crime scene and require the investigator to use magic or engage the aid of a magical being to solve the crime. Did the house’s hob see what really happened in the domestic violence incident? Does a detective come into possession of a genie’s lamp that will grant him one wish, and he uses it to solve the case that got away? Does your gumshoe use a tracking spell to find the perpetrator using a few strands of hair she found at the scene? The people in your world can use magic openly or on the sly, it’s all up to you. But your story must be urban fantasy, and involve a crime scene and magic in some way.
    What we don’t want to see:
    On page sexual assault, child abuse, or animal abuse – this is an immediate rejection. Your investigator may be trying to solve one of those crimes, but we will not accept a story with one of those crimes happening on the page.
    Gratuitous anything – violence, sex, profanity, doesn’t matter. If it is not integral to the story and it’s not advancing the plot or character development, we don’t want to see blood, gore, or sex just for shock value’s sake (this goes for language too). We are not opposed to violence, sex, or profanity – as long as it belongs in the story and it’s not just there to shock and titillate. Think of how far we’re willing to go based on the well known movie rating system – if it would qualify for a PG, PG-13, or R rating, we’ll look at it. If it would be NC-17 or up, we’ll have to pass, thank you.
    Thinly veiled fan fiction of another author’s world and characters. We’re looking for your original work.
    Poorly researched magic systems or magical creatures from a culture you are not familiar with. If you are going to venture into new worlds or cultures, make sure you’ve done your research and you know all the rules, taboos, and how to pronounce the names.
    What we do want to see:
    Comedy, comedy, comedy! We truly don’t see enough of this in the slush pile and giving us something that makes us laugh will give you a leg up on the competition.
    Diverse protagonists – we’ve got nothing against the classic gumshoes of the noir era (usually white males), but we want to see something new. This doesn’t mean we won’t accept a story with a white male lead, but you’re going to have to knock our socks off.
    Magic systems and magical creatures outside of the typical European-based fare that’s dominated Western publishing for so long. Again, we want something new and fresh; and if you do use the more well known European-based magic and creatures, you’re going to have to wow us.
    Word Count:
    We’re looking for stories that fall in the 3,000 to 10,000 word range. We will consider looking at stories outside this range, but they need to be just too good for us to pass up. You have a much better chance if you keep the word count within our range. Please query us before sending a story outside of the word count guidelines.
    Reprints:
    We prefer unpublished, original fiction. However, we will consider including one or two reprints in this anthology, but only if they are overwhelmingly fantastic. Make sure you let us know if your story has been published elsewhere before.
    Rights:
    We wish to purchase exclusive print, e-book, and audio rights for one year, and non-exclusive print, e-book, and audio rights for a period of five years after that, with the option to re-negotiate additional years of rights after that. We are asking for audio rights because if we can get funding, we also want to produce an audio version using professional voice talent.
    Payment:
    Unpublished stories earn a onetime fee of $25 plus one contributor’s copy for the original terms of the contract. Reprints earn a onetime fee of $10 plus one contributor’s copy for the original terms of the contract. Payment is within 90 days of publication.
    Sending your submission:
    We will be accepting electronic submissions only. Make sure you put “MCSI” in your email subject line. No simultaneous or multiple submissions please. Send your story as a .doc or .rtf file to submissions at otterlibris dot com.
    Submission Window:
    We will be open for submissions for the anthology beginning on October 1, 2017 and close to submissions on January 31, 2018. Any submissions received outside of this window will be deleted unread. We expect to respond to submissions throughout the window with a “no, thanks” or “we’d like to hold this for further consideration,” with final decisions going out approximately six to eight weeks after the closing date.
    Expected Publication Date:
    We will be running a Kickstarter to generate interest and word of mouth in June 2018, and we expect to publish the anthology in August of 2018.
    With Iron And Fire - Now available at Sea Lion Press
    Alternative Truths - Now available on Amazon

    Comment

    Working...
    X